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Pirate Cinema

Pirate Cinema
Pirate Cinema by Cory Doctorow

My rating: 3 of 5 stars

I bought this as part of an ebook Humble Bundle some time ago, and finally got around to reading it. It only took me me three flights to or from Boston to finish it! (This was largely due to finding other activities on the plane, like movies, iPad games, and designing D&D encounters.) That is for me a somewhat unusual context for reading a book, but it’s a good chance to find time to do so.

This is very political fiction; Doctorow has a strong copyleft position that comes out both in the overall plot of the book, and occasionally in multipage lectures conducted in the voice of one of the characters. If you agree with that position, you’ll probably like the story. The main character is famous for his recut films, using the movies of a particular actor to tell new stories; this naturally gets him in trouble with intellectual property authorities, who in this dystopian near future have significant powers. As the popularity of his repurposed art grows, the powers that be in Parliament and Hollywood try to put a stop to his art.

As a quick aside, from someone who strongly believes in Fair Use protections, I would recommend watching Kirby Ferguson’s series Everything is a Remix. It uses several examples (including Star Wars, The Matrix, and Steve Jobs) to demonstrate how art stands on the shoulders of giants even when considered a new work. The films the main character creates are to me clearly transformative works that are new art, so I definitely agree with Doctorow there.

The story is set mostly in London, so there’s a fair bit of British slang throughout. That, combined with the Chaotic to Neutral alignment of most of the characters, did make it a little hard for me to identify with them. The story is mostly interesting; there weren’t really any slow parts. I did find the denouement kinda disappointing; in that regard it reminded me of older Stephenson. It felt like the book very quickly wrapped up the remaining threads after the climax in an unsatisfying way. On the other hand that probably means I wanted to see more from these characters.

This is the first novel of Doctorow’s that I’ve read, though I have tackled a few of his essays online at various points. I didn’t really notice anything distinctive about his style, outside of the political statement underlying the story. I liked it well enough, so I definitely want to read some of his other books.

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Mockingjay by Suzanne Collins

My rating: 4 of 5 stars

I finished this third and final book on the plane down to Cancun a few weeks ago. I didn’t get a chance to review it on account of the travel and then the end of the semester. Up front: I liked it, although not quite as much as I enjoyed Catching Fire. All kinds of spoilery thoughts on this book and the series as a whole below the cut.


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Catching Fire

Catching Fire
Catching Fire by Suzanne Collins

My rating: 4 of 5 stars

Finished this one a week ago. On a few levels, I liked this second book in the trilogy more than the first. In particular, the balance between world-building and action was better: I preferred the history over the combat. I would guess that is equivalent to my interest in the extended universes of, say, Middle-Earth. There were a few things that annoyed me, however.

I know that this trilogy is geared towards younger readers, and I’m fine with how it’s a relatively easy read – but I don’t like being treated like I’m stupid and have no memory. There are several points early in the book where Katniss reintroduces concepts that were clearly explained in the first book, as if we didn’t know what was going on. It annoys me when serial television does it (“Last time, on…”), and it’s worse when books do it. That’s the main reason this doesn’t get five stars – the story is great, but the writing feels just a tiny bit condescending.

Maybe this makes me a total snob, whining about too much accessibility. If anything, I should be celebrating yet another series that has triggered a spike in teens reading books that have interesting settings and characters. Maybe turning up the maturity dial would mess with it too much, and ruin some of its appeal. It’s likely I don’t relate to the characters as much as some readers, since I wasn’t an angsty teen, nor did I grow up in a dystopian future.

Speaking of dystopian futures, I like that Collins dove more into the political system in this book. I’d like to know more about how Panem came to be organized, who decides who lives in which districts, where President Snow’s powerbase is, that sort of thing. Perhaps Mockingjay will explore some of that.

So far it seems that if you start this trilogy, it’s worth reading all of them, because the plots are directly connected. I imagine it could be published in a single binding with 3 (or 9) Parts, similar to the way there are 6 “books” in some printings of The Lord of the Rings. On to Mockingjay

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The Hunger Games

The Hunger Games
The Hunger Games by Suzanne Collins

My rating: 4 of 5 stars

This book has been out for a while, and has been on my list for some time, based both on the general buzz and direct recommendations, not to mention that dystopian near-future young adult sci-fi is right up my alley. I got the boxed set as a Christmas gift, and I started reading after finishing up some non-fiction that I was in the middle of tackling.

A non-trivial motivation was, of course, the upcoming film; I strongly prefer to read the book before seeing the movie, so that my imagination can run a bit more freely than whatever vision the filmmakers may have. I do very much enjoy what the director and various designers manage to do in bringing words to life (the Lord of the Rings films, for example), but the written word gives me the ability to see things in my own way. I was thinking about this more recently in the context of Yahtzee’s recent blog post on movie adaptations of video games. In this case that’s a little broken by having seen some of the trailers already, and having an awareness of the casting, but I think I was able to keep that out of my mind while reading. Collins is pretty good at describing the visuals of a scene, through Katniss’ eyes.

Overall, this was a good, exciting read, and because it is so action-heavy, especially in the second half, well-suited to its film adaptation. I was a little worried that the first-person narration by Katniss would annoy me, but I think the dystopian setting managed to mute whatever teenage angst might otherwise have dominated.

Another aspect of its YA target audience is that it was an extremely fast read for me – I was getting close to 3 PPM, and read the whole thing in just 3 sessions. On the other hand, that confirms that it’s a good read, and tough to put down once the plot gets going. I have a tendency to devour books in this way, especially fiction that I find immersive.

I was also glad that the plot wasn’t too predictable, particularly with regards to who would live and who would die, while still touching on the expected tropes. Obviously the availability of a trilogy implies certain things about the survival of certain characters, but that’s nigh impossible to avoid.

I would recommend to anyone of any age with a slight sci-fi bent that they pick up this trilogy and dive in. I am definitely looking forward to the movie, which opens next weekend. My librarian friends are as well.


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Nicolas Ward

Software engineer in Natural Language Processing research by day; gamer, reader, and aspiring UltraNurd by night. Husband to Andrle
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