I have a tiny Kickstarter problem, but I mostly manage to resist. Earlier this year my excitement for backing video games overwhelmed me a bit, as you can see. I’m excited especially for The Banner Saga, but like any preorder, I’m out money now for something I won’t have for a year.
I’m wondering if you’d talk about the recent large-scale Kickstarter video game projects, such as Double Fine Adventure, Wasteland 2, and Banner Saga. Do you think this would be a way fund non-game apps?
Marco and Dan answered this in Episode #70, 116 Degree Burns, starting at the 23:35 mark, right after the first sponsor, and going to about 34:25. I meant to follow-up a while ago, but the end of the semester was a busy time, so here goes.
My interpretation of Marco’s overall point was that software, especially complex apps like a game, is too risky to back. This is because it’s near impossible to estimate the total amount of development time, and therefore the cost, so the project can’t set a reasonable goal or backer rewards.
As a fellow software engineer, I totally understand this difficulty, but Marco’s take was definitely a downer for me. I think I wanted him to agree with my thinking, which is that Kickstarter could be an alternative source of funding for app creators, basically a way to gauge market interest before doing anything more than preliminary planning and development. I think Marco goes too far in claiming that Kickstarter possibly shouldn’t allow these projects because of that risk.
Kickstarter has a good stats page, but it just shows the breakdown of successful vs. unsuccessful funding; it doesn’t show how successful projects are at completion and wisely using their funding, which is at the core of Marco’s argument. At a glance, I have seen a few updates from some of the projects I’ve backed that the project team didn’t accurately predict the cost and effort of putting together (and in some cases, shipping) backer rewards. I do note that Games as a category are on the higher end of the money range, but the lower end of the success rate, which probably bears out Marco’s point about risk.
That all said, I think Kickstarter has a very important role for the future of “the useful arts”. The content industry in particular is in the process of a major upheaval, so it’s not clear how someone with a good idea that doesn’t fit into the usual day job archetype can get the money they need upfront in order to take the time to create. Backers can in that sense collectively fill the role of Renaissance patrons.
Apps are in a bit different category, in no small part because the skills necessary to create an app are economically valued in the traditional employment market. Maybe some of my interest in the idea is that, while I love my job, I envy some aspects of Marco’s lifestyle as an independent app developer. (It doesn’t help that we’re within a few months of the same age.) I suppose then a subtext of my question was wondering if this is a feasible way to start working in this space.
What do you think?
My rating: 3 of 5 stars
This one has been on my list for a while, discovered somewhere online. It seemed right up my alley. I was reminded to tackle it after my friend Emily read it recently, and I wanted to see if my impression lined up with her criticisms. This book continues my post-apocalyptic theme. It was another very fast read – I devoured it in two sessions in a total of about 3 hours.
Spoilers are below the cut, although the narrative style of the book (found documents) makes that largely moot.
A few weeks ago, my cousin Mark had an extra ticket to the American Craft Beer Fest (ACBF). After a lot of waiting in line in the rain, and some initial confusion as to whether a digital copy of my ticket on my phone would be acceptable, I got inside and started tasting brews. I tried to branch out into varieties I don’t usually drink, but I generally wasn’t convinced. I also tried to avoid repeats, and targeting breweries that I haven’t seen available in stores in this area. I ended up trying 23 beers in a couple of hours. It’s a good thing Mark remembered to bring pretzels!
Quick comments on beers below the cut. If you follow me on Untappd, these are repeats. The highlight of the show was decidedly DC Brau’s On the Wings of Armageddon, both for the awesome name and for giving me another super-hoppy imperial IPA to enjoy.
My rating: 4 of 5 stars
A few weeks ago I made a silver lining out of a flat rear tire on my bike to read this one on my commute to and from work, either walking through Danehy Park or taking the Red Line. Since my commute is normally so quick, I don’t have a block of time to read on public transit or hypothetically listen to podcasts or audiobooks in a car. That means I mostly end up reading before bed.
Overall, I think this book was a bit of an improvement in the writing style, but I didnt like the directions in which he took some of the plots. It did make me realize I have no idea where he’s going with all of this.
Below the cut are giant spoilers of the who dies variety!
My rating: 4 of 5 stars
I suppose it’s problematic when I don’t write book reviews until well over a month after finishing the book in question. In my defense, I finished this book on the plane back from Cancun, and then immediately had two insane weeks of coding for my final project. I was to some extent additionally demotivated by the fact that this is the second book in an as-yet unfinished series, which are always difficult to write up because they neither start nor end stories.
This review does not contain spoilers.
As I mentioned in my review for A Game of Thrones (from before I was cross-posting reviews to my blog), I had actually started this book a few years ago, although going in I thought I hadn’t gotten to this one. As I was reading, I kept thinking that I had gotten to a new-to-me section, only to find a familiar scene in the next chapter. I think the point where I had given up on it previously was somewhere around two thirds through the book. For various reasons, even though I was initially ahead of the popularity of the series due to the HBO television adaptation, I set it down and didn’t come back to it until this year. Speaking of, even though I’m only a few episodes into the first season, it’s been amusing seeing people tweet about the second season, which corresponds to this book.
Overall, this book seemed more solid than the first book. I don’t know if that’s because the pace was picking up, or if the characters had a bit more agency, or what. I think the fact that it ended with most of the main characters embarking on a journey helped frame things nicely, in setting up the third book (which I will review shortly).
In terms of characters, it’s really hard not to love Tyrion, even if he is a twisted little imp. He got a great storyline, and as a nerd I have to respect his reliance on his wit as a strength in the face of pretty awful events. I also really enjoy Arya and Jon Snow; I assume to some extent they’re written to be more likable. It will be interesting to see where their journeys take them in the third book.
I thought one of the weakest story lines was that of Theon Greyjoy. He gets an entertaining introduction with his homecoming, but after that, it’s pretty bad. I think the character needed to be introduced more in the first book, to help us understand the motivation behind his actions in this book.
My usual complaint about the level of violence, and the creepy sex, stands. I think an epic fantasy tale with a lot of intrigue and war could be told without quite so much gory detail. I won’t deny Martin’s penchant for the descriptive when it comes to helping a reader visualize all of it, but the exact nature of the content still dulls my enjoyment of the world building.
On to Storm of Swords…